Відео

'Nice Demo...I've been trying to re-create the tremolo tones that I used to get from my old Ampeg Gemini Series amps back in the day and the Boss TR-2 does a pretty good job of it. I really don't need anything more than the Boss to get there, it's works for most of the classic rock and country stuff that I'm playing these days. Thanks for the video, 'so easy to watch and listen too! Cheers!!

Sensacional.

The Jensen sounded better across the board. The Celestion sounded choked.

DOD’s Phasor 201 only has 2 stages which is cool. The Boss Ph3 has multiple stages which I like.

How the F did he do that oscillating

Something kinda in-between, like a CL80, works well for me in a Fender-ish amp. The V-Type is good also. Jensons and such have a bit much mid scoop for general purpose use IMO.

I think it’s a question of how they are to be used. I think the red one is like abig muff in that it is best in a clean amp because it brings the rest. Whereas dirty the Hendrix one worked best because that bass cut and mid boost allowed it to be clear. Tbh this just made the super fuzz make the most sense to me tbh. You can run it clean on the scoop setting and it’ll bring the bass and high end. Or dirty on the mid push setting which throws the highs and lows away. Dirty the mid push makes sense. Clean the scoop all day.

Great video. Thank you! Also do check out the Boss / JHS collab “Angry Driver”. A nice OD plus Marshall dist sound.

Amazing video. Goodness me so much time and effort must have gone in to this. Legitimately proper content sir. Thanks!

Can an Aby Pedal or P10 Y stereo cable do this same function?

OD-3 FOR LIFE!

This is the type of video not shown anywhere else, because everyone else is too busy trying to sell things from their store, or too busy trying to show off their terribly overpriced digital racks and other expensive things most people cant afford. 😇🥰😍😋🥲💖💗❤💯💪👍

12:07 is INCREDIBLE, thats the winner for me

do this if only if notes are important somehow. (they are not for me. there is nothing more non-musical than playing notes, except maybe the Boss Flanger.) :)

Tele tones? This video should have been titled pedal tones. You can get a lot from a tele without effects pedals.

The Brit tone is way nicer. Much fuller sound.

I guess u could do this with a splitter into the amp, and still run pedals in series.

Don't you have to know which pedals invert signal and which not ?

LoL. You had 7 pedals on at once 👍👍 That would definitely get me evicted 🤣

How are you mixing the two parallel signals back together? Amp with two inputs? Or something fancier like a mixer in the chain? Thanks! Awesome demo!

Michael, You're really doing great job with this videos. I have learned lots of things by you.

I bought a multi modulation pedal previously. I was contemplating between flanger, phaser and chorus. This video influenced me to get flanger. Easily the most fun out of the 3 although also difficult to get it to sound right.

Best guitar model there is. But you can make it slightly better lol. Which I did lol you should see my crapp it's niiiiice : )

Great video with a lot of value info. What do you recommend to stack the od-3 with to get it to sound like the lead in Gary Moore - The Loner? (I use a fender HSS with a quilter superblock us)

criminal how this misses out running delay pedals in parallel. set one to dotted eights and the other to triplets, or one to quarter notes and one to dotted eights, one to slapback and one to crotchets... the possibilities are endless. delays are far better in parallel than in series if youre using them rhythmically

I use a Fender Super Champ X2 head with the matching closed back 1x12 cab. I swapped out the speaker for a Celestion V-type. The amp is a hybrid with a digital preamp and a 6v6 tube power section. It's got a whole bunch of amp models and FX built in but I just use the clean channel with my pedalboard. The clean channel voicing is full and warm and it's got the headroom to take a push from gain pedals plus reverb/delay/all the other noises you might want to throw at it without behaving strangely or unnaturally. It gets easily quiet enough for home practice, but can growl at gigs because of the valves. I can't see myself needing anything else and will probably always keep it.

Awesome comparison! Not sure if it's just my gear but I find that I have to turn the tone knob way down to 9 o'clock or so to avoid sounding too shrill. It could be the more distorted high notes you describe here that bother me. Don't experience that with other overdrives like TS-9. Guess I'll give OD-3 a try.

Thank you, your videos are just the best for someone who's into getting how pedals work (like I currently do), very didactic and instructive ! I also couldn't be happier right now cause I didn't know anything at all about these tricks, and as a bass player this will be very helpful :))

Hello, I am very late to this party but wanted to say thank you for this video it helped me a lot, lot, lot. Made my decision based on this. Od3 will be my very first choice of paddle. I want to put it in front of a high gain Wild Fro from Tonecity, which I got as a present. I recently decided to take up playing the guitar again. 36 now, used to play since i was 15. when I turned 30 i suddenly stopped cause of my occupation and the loss of passion and start of some depressed phases, to a point even, when the guitar could not cheer me up anymore and i just forgot about music. Turns have tabled and... Now I got myself a Marshall origin 20h with a 2x12 cab with v30s. Guitar a Jet Js 300 which has been amazingly modified and i cannot wait until i can start my holiday at the weekend with my first practice day again. Thank you!

Too hard to choose. JH is cleaner and but kinda twangy. JD isn’t twangy but the notes don’t punch through as clear. Ughhh

2:47 chord - Fuckkkkkkkkkkkkkk yeah

When you have a Super Reverb, why would you need a reverb pedal and a tremolo pedal? Just use the amp's footswitch.

DS2 is probably one of the best distortion pedals in human existence. it has perfect sound. MD sounds too digital

I strongly believe sansamps (and their derivatives) with some form of cab sim are the way to go. Its consistent analog tone and response that can integrate into the amplification/speaker system of your choice more easily than anything I know of. I prefer the pedal based sansamps. I run a compact pedalboard consisting of two different character series sansamps with a couple boost/overdrive/distortion, wah, and tc Electronic Plethora multifx (with cab sim) with the option of going into a headphone amp pedal, direct out, or line level out into ANY amp I chose. When practicing I typically go into the auxillary (flat eq) input of a Vox desktop guitar amp. If I am going live I actually go into class d solid state DV Mark head and cabinet (which is fantastic for what I am doing and doesn't restrict me in any way). Been playing for over 35 years (and am a professionally trained sound engineer to boot) through all kinds of setups and this is by far the easiest and most consistent tone with maximum flexibility at any volume level I have ever played through by far. I actually feel like I was "doing it wrong" with my previous setups. Ive done the digital modeling thing as well as the boutique tube amp thing and I will never do either again. I have the same tone and response no matter what I am doing (practice, recording, performing) or volume level. Skip all the other stuff, save tons of money in the long term, and just build a do it all pedalboard with the components of your preference (which you can upgrade/swap as you choose) with the sansamp(s) of your choice at the core and have a high quality solution for any situation you are in. My advice for beginners - buy a Vox desktop digital modeling amp (which will also give you a sample of what direction you will choose to go with far better performing sansamp analog circuits) to get you by while you build a sansamp centered pedalboard which you can later run into the aux input of the same amp. You will wind up with a rig you will know intimately and that can then be run into anything you choose with minimal stress/drama.

Brilliant bro

This vid couldn’t have come at a better time. I was looking into a wet/dry rig with two amps, but it looks like I don’t need the second amp now. And I could get the same effect using a line selector pedal instead. I have an ambient sound, but I want the drier tone to come through for more definition. Thanks Michael!

Just last night I was thinking what happened to Michael Banfield he has not popped up on my feed in a while. Today I come home and here he is ! Always a slightly different take on signal chain. Very clever. Whatever pedal college you went to it was well worth the money LOL....

What do you mean by self taught? I learned from books/songs, a handful of lessons, and got tips here and there. I didn't lock myself in a room without access to any muaicians. People that can create out of thin air are geniuses. They would be creative geniuses with or without training. You're confusing correlation with causation. There are far too many highly trained incredibly creative musicians for your theory to be correct

I like watching prn with the audio run through a chorus pedal

This video will save a lot of headaches regarding pedal tremolo choices. Simple has once again proven to be the most effective. EHX makes wonderful tremolos for the price as well. The only thing that would make pedals like these better would be a Mix knob to make bias tremolo sounds more believable, an easy enough mod if you really want it.

I really really like this video. Keep up the good work mate. The views will come soon once people get on to this one.

With no phase switch, you have to be carefull of phase cancellation that can occur with pedals in parallel!

The problem with this video is that the hand flailing at 4:11 is way too low. It needs to be (a) chest level or above and (b) sufficient to induce sea-sickness. Hope this helps the channel.

fantastic video and demos - such a basic, easy to understand explanations, and some great ideas to try out. I hadn;t thoight of parallel drive/clean before but will definitely give that a go. Always great info - thanks

your videos are great, always make me want to go play guitar, and experiment with techniques. thank you for producing this great content

jensen c12q if you ask me, sounds great

Do u run the line selector in your effect’s loop

I'd had the idea of a blend control with overdrive for about twelve years now. It started with a Voodoo Labs Sparkle Drive. I loved the ability to blend the clean and OD, but I just don't care for Tube Screamers. I tried modding it. Reducing the mid hump, different diodes, and other things. It didn't work. I wanted a simple one knob blend pedal, maybe two knobs, the second a master output level. At that point I couldn't find such a thing. A line selector never occurred to me. Great idea.

The best explanation of the various types of reverb I have heard. Thanks!

Try mixing a squashed compressed sound with a dry sound. It restores some of the dynamics.